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	<title>Black Film Archive: Tenderness in Black Film</title>
	<link>https://tenderness.blackfilmarchive.com</link>
	<description>Black Film Archive: Tenderness in Black Film</description>
	<pubDate>Wed, 21 Feb 2024 06:11:36 +0000</pubDate>
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		<title>Main</title>
				
		<link>https://tenderness.blackfilmarchive.com/Main</link>

		<pubDate>Fri, 16 Feb 2024 22:37:51 +0000</pubDate>

		<dc:creator>Black Film Archive: Tenderness in Black Film</dc:creator>

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		<description>TENDERNESS IN BLACK FILMA Black Film Archive exhibition


	
	

	
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		<title>lovejonesquote</title>
				
		<link>https://tenderness.blackfilmarchive.com/lovejonesquote</link>

		<pubDate>Sat, 17 Feb 2024 21:28:59 +0000</pubDate>

		<dc:creator>Black Film Archive: Tenderness in Black Film</dc:creator>

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		<description>
	“Love ain’t what it is. It’s easy to fall in love, but will someone, please, tell me how to stay there?”&#38;nbsp;-Love Jones (1997)

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		<title>Tenderness Definition</title>
				
		<link>https://tenderness.blackfilmarchive.com/Tenderness-Definition</link>

		<pubDate>Sat, 17 Feb 2024 15:39:18 +0000</pubDate>

		<dc:creator>Black Film Archive: Tenderness in Black Film</dc:creator>

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		<description>INTRODUCING TENDERNESS IN BLACK FILM
	
&#60;img width="510" height="640" width_o="510" height_o="640" data-src="https://freight.cargo.site/t/original/i/f836e422a23ef51080df306d6a03fd5bde001195b19f59a68a9cae3d52b2faf5/douglass.jpg" data-mid="204899662" border="0"  src="https://freight.cargo.site/w/510/i/f836e422a23ef51080df306d6a03fd5bde001195b19f59a68a9cae3d52b2faf5/douglass.jpg" /&#62;

What are the social consequences of aesthetic control over our image-making? From Frederick Douglass to Ava Duvernay, the question has been posed by Black intellectuals and artists across time. In response to the denial of Black humanity by white stereotypical mythmaking – the coon, the jezebel, the tom, the mammy — embedded into white cultural production, Black thinkers, writers, and artists suggest that controlling Black imagery is essential to imagining Black humanity and futures. As Douglass writes, “The process by which man is able to invert his own subjective consciousness into the objective form, considered in all its range, is in truth the highest attribute of man’s nature.” Imagery, then, must be the foundation of progress when we take it into our own hands. &#38;nbsp;
In the February 1926 issue of Crisis Magazine, W.E.B Du Bois poses ‘a questionnaire’ to the magazine’s readership about the ways Black people are represented in art. “What are Negroes to do when they are continually painted at their worst and judged by the public as they are painted?” the pioneer scholar asks. 



	That question is echoed in the post-George Floyd Black audience that asked if Black films’s only offering is trauma. This ponderance is the tenant to which the Black Film Archive: Tenderness in Black Film exhibition responds directly. How does tenderness– defined here as pointed moments of affection where Black possibility, transformation, and connection bloom– offer a new mode of understanding our filmic past, present, and future?


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As pioneering Black film director Oscar Micheaux writes, “I have always tried to make my photoplays present the truth, to lay before the race a cross section of its own life, to view the colored heart from close range.” In this close read, new truths about Black cinema and ourselves are revealed. 
Personifying love allows us to awaken the senses and endlessly discover ourselves, our communities, our beloveds, and our families; it is the building blocks of life and I argue, an essential way to engage with Black cinema.&#38;nbsp;Tenderness is what spurs motion into movement, desire into affirmative risk, and improvisation into rhythm. For Black people, I believe, tender gestures give us the will to live, to carry on, to pursue in a world that wants otherwise or life presents other obstacles.
   
	  Sometimes tenderness is a glimpse from one Black person to another, conveying a lifetime of knowledge or a warning to choose another path. Tenderness can be confronting what is unseen or unspoken within ourselves or it can be a director giving language to the beauty of our world, our pioneers, and our lives.


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This exhibition, organizing tenderness through familial;&#38;nbsp; community; romance; and self &#38;amp; soul connections are in conversation with the desires planted in our lives at birth: to dream of a world of love and care; to give voice to those who have been silenced or torn from the pages of history; to believe in Black futures enough to will the impossible into existence; to not abandon ourselves and others out of fear. May we learn to say things without words, embrace ourselves and others with tenderness, and run to all gentleness that approaches with care and allow cinema to be a guide when we cannot trace the impulses alone. 
Tenderness in Black Film, which will be updated on an ongoing basis, is simply a place to begin. I hope you’ll join me on this journey.
The research in Black Film Archive: Tenderness in Black Film was funded by a residency at the Library of Congress.&#38;nbsp;
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		<title>tenderness by type</title>
				
		<link>https://tenderness.blackfilmarchive.com/tenderness-by-type</link>

		<pubDate>Sat, 17 Feb 2024 21:03:33 +0000</pubDate>

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		<description>HOW DOES TENDERNESS APPEAR IN BLACK CINEMA?

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		<title>All Movies</title>
				
		<link>https://tenderness.blackfilmarchive.com/All-Movies</link>

		<pubDate>Fri, 16 Feb 2024 22:38:23 +0000</pubDate>

		<dc:creator>Black Film Archive: Tenderness in Black Film</dc:creator>

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		<title>Alice Coltrane on Black Journal </title>
				
		<link>https://tenderness.blackfilmarchive.com/Alice-Coltrane-on-Black-Journal</link>

		<pubDate>Wed, 21 Feb 2024 06:11:36 +0000</pubDate>

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	Alice Coltrane on Black Journal
In this tender portrait, Alice Coltrane —a recent widow— discusses what’s near to her heart: spirituality, the couple’s legacy, family, and music. &#38;nbsp;
&#38;nbsp;
Director: Stan Lathan&#38;nbsp;
Year: 1970
Genre: Documentary
Type: Short

Link: www.youtube.com/watch?v=4GYJ5SOXuC4





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		<title>Your Children Come Back to You</title>
				
		<link>https://tenderness.blackfilmarchive.com/Your-Children-Come-Back-to-You</link>

		<pubDate>Wed, 21 Feb 2024 05:41:30 +0000</pubDate>

		<dc:creator>Black Film Archive: Tenderness in Black Film</dc:creator>

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	Your Children Come Back to You
Projecting multigenerational ideals of surviving in class strugle, “Your Children Come Back to You” gives voice to the child caught in the middle of adult conflict.&#38;nbsp;&#38;nbsp;
Director: Alile Sharon Larkin &#38;nbsp;
Year: 1979
Genre: Drama&#38;nbsp;
Type: Short

Link:&#38;nbsp;https://www.ubu.com/film/larkin_children.html

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		<title>Love Jones</title>
				
		<link>https://tenderness.blackfilmarchive.com/Love-Jones</link>

		<pubDate>Wed, 21 Feb 2024 05:22:30 +0000</pubDate>

		<dc:creator>Black Film Archive: Tenderness in Black Film</dc:creator>

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		<description>
	Love Jones
 Set in jazz-infused 90s Chicago, Darius (Larenz Tate) and Nina (Nia Long) ponder the possibilities of love and if romance in bloom is enough to establish a relationship and work through the tension at the roots. With sizzling chemistry, the Black bohemian ensemble cast intoxicate the soul.&#38;nbsp;&#38;nbsp;
Director: Theodore Witcher
Year: 1997
Genre: Drama
Type: Feature

Link:&#38;nbsp;www.paramountplus.com/movies/video/OEXVFYe_OaXC6iusQbAMFNF6XbS3F2G_/





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		<title>Tuesday Morning Ride</title>
				
		<link>https://tenderness.blackfilmarchive.com/Tuesday-Morning-Ride</link>

		<pubDate>Wed, 21 Feb 2024 04:53:22 +0000</pubDate>

		<dc:creator>Black Film Archive: Tenderness in Black Film</dc:creator>

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		<description>
	Tuesday Morning Ride
Based on the short story by&#38;nbsp;Arna Bontemps,  an ailing, aging couple (Bill Cobbs and Ruby Dee) decides to prepare for one last day of pleasure.&#38;nbsp;
Director: Dianne Houston &#38;nbsp;
Year: 1995
Genre: Drama
Type: Feature

Link:&#38;nbsp;https://youtu.be/WAIPfQAlAsw?si=K6yCJL5Vcz7reGzA





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		<title>Zora Is My Name!</title>
				
		<link>https://tenderness.blackfilmarchive.com/Zora-Is-My-Name</link>

		<pubDate>Wed, 21 Feb 2024 04:40:24 +0000</pubDate>

		<dc:creator>Black Film Archive: Tenderness in Black Film</dc:creator>

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	Zora Is My Name!
A tender celebration of Zora Neale Hurston’s (Ruby Dee) life that journeys through her stories, her life’s rhythms, and the seeds of possibilities her work planted in generations of Black people.&#38;nbsp;&#38;nbsp;
Director: Neema Barnette
Year: 1990
Genre: Drama
Type: Feature

Link:&#38;nbsp;https://www.youtube.com/watch?v=RusqNuuZrKM


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